Lessons From a One Night Stand Piper Rayne Read Online

The grim truth backside the Pied Piper

Entranced by his flute, the transfixed children of Hamelin followed the Piper out of town (Credit: Kate Greenawayduncan1890/Getty Images)

Writers like the Grimm Brothers and Robert Browning may take shaped the Pied Piper legend into art, just information technology turns out the story is likely based on an actual historical incident.

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Every working morning for the final 26 years, Michael Boyer has slipped into a pair of neon-bright, multi-coloured tights, tied on his lipstick-crimson cape, grabbed his flute and marched out into the medieval streets of Hamelin, a town of 60,000 residents in Lower Saxony, Germany.

"People sometimes mistake me for a superhero, courtroom jester or Robin Hood," he laughed. He's as well increasingly become an Instagram prop for tourists and, maybe in some woke eyes, a gender-fluid statement.

But near people recognise him for what he is, the Pied Piper incarnate, appointed past Hamelin to impersonate its simultaneously favourite (at least commercially) and least favourite adopted son. Responsible for meeting and greeting visiting groups and dignitaries, he leads tours of the city and embodies the indelible hold of the fable that draws nigh travellers here.

Michael Boyer dresses up as the Pied Piper incarnate and leads tours of Hamelin, Germany (Credit: Mano Kors/Alamy)

Michael Boyer dresses upwards equally the Pied Piper incarnate and leads tours of Hamelin, Germany (Credit: Mano Kors/Alamy)

The tale in fact has survived for a very long time. Originating as medieval folklore, the story inspired a Goethe verse, Der Rattenfänger; a Grimm Brothers' fable, The Children of Hamelin; and 1 of Robert Browning's all-time-known poems, The Pied Piper of Hamelin. And although each writer tinkered with the story, the nuts remained the same: the Piper was hired by Hamelin to rid the town of its plague of rats. Trailing after the hypnotic notes of the rat-catcher's magical flute, the rodents politely filed through the metropolis gates to their presumed doom.

They weren't the but ones lured by his music, though. When the town refused to pay the Piper for his service, the saviour turned into a more satanic seducer and came for Hamelin'south children. Entranced by the notes of his flute, the transfixed boys and girls followed the Piper out of town and simply vanished.

While the tale has endured, so has Hamelin itself, which still looks as though information technology belongs in a fairy tale. Boyer's tour leads visitors by rows of half-timbered houses. There are 16th Century burgher manors encrusted with Gothic gables and scrollwork, and flamboyant wedding cake buildings offering prime number examples of the local Weser-Renaissance architecture, all leering gargoyles and brightly coloured polychrome wood carvings.

However, all this is just background for the town's real cottage industry, which cashes in on all things Piper. The local restaurants plate a "rat tail" signature dish made from thinly sliced pork, and the bakeries practice a brisk business in rodent-shaped breads and cakes. The Hameln Museum offers a sound and light Pied Piper re-enactment; local actors put on an open-air Pied Piper play during summer; and the souvenir shops hawk their own rat-inspired memorabilia. You can go home, if y'all wish, loaded down with Pied Piper T-shirts, fridge magnets, mugs and flutes.

Hamelin, Germany, still looks as though it belongs in a fairy tale (Credit: Gonzalo Azumendi/Getty Images)

Hamelin, Frg, notwithstanding looks as though it belongs in a fairy tale (Credit: Gonzalo Azumendi/Getty Images)

What could pass for mere comic relief, though, masks something deeper, and suggests why the fable lives on non only in Hamelin but in enduring folklore. On some level, the tale stokes a cardinal fear, with the Piper a version of a universal bogey human that continues to haunt u.s.. Parents everywhere nonetheless fright the loss of their babies. Children, popping upwards on the nightly news, however go missing every solar day. Then nosotros all ultimately vanish in something like an instant. The Piper, in the finish, is one very grim reaper.

But if the tale evokes a universal fear, it even so resonates almost strongly in Hamelin – and the Piper's tour suggests why. In fact, the existent surprise of his tour isn't so much the beautifully preserved townscape but the suggestion that the Pied Piper is much more than than only a fairy tale. The Grimm Brothers and Browning may take shaped the legend into art, just the story, it turns out, is probable based on an actual historical incident.

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The proof is etched on Hamelin's face itself. An inscribed plaque on the stone facade of the so-called Pied Piper firm, a half-timbered private residence dating to 1602 – similar to an even earlier one etched on the building's window – bears explicit witness to the mystery. The inscription reads:

"A.D. 1284 – on the 26th of June – the day of St John and St Paul – 130 children – born in Hamelin – were led out of the town by a piper wearing multicoloured wearing apparel. Subsequently passing the Calvary near the Koppenberg they disappeared forever."

Entranced by his flute, the transfixed children of Hamelin followed the Piper out of town (Credit: duncan1890/Getty Images)

Entranced by his flute, the transfixed children of Hamelin followed the Piper out of town (Credit: duncan1890/Getty Images)

The inscription isn't the only inkling. An entry in Hamelin's boondocks records, dating to 1384, laments that, "It is 100 years since our children left." The stained-drinking glass window in the town'southward St Nicolai church, destroyed in the 17th Century but described in earlier accounts, reportedly illustrated the figure of the Pied Piper leading several ghostly white children. And the 15th Century Luneburg manuscript, an early German account of the event, along with five historical memory verses, some in Latin and others in Middle Low High german, all refer to a similar story of 130 children or immature people vanishing on the 26 June 1284, following a pied piper to a place called Calvary or Koppen.

The Pied Piper and then, more than than a fairy tale, becomes the emblem of a profound historical mystery. What happened to the missing children of Hamelin? Still the principal seducer, the mesmerising rat-catcher is now leading a whole new trail of entranced followers – this time a conga line of historians each taking their own deep dive into the question of what exactly transpired in Hamelin on 26 June 1284.

The theories are legion, according to Wibke Reimer, project coordinator at the Hameln Museum who has been organising a special exhibit that focuses on the global accomplish of the Pied Piper legend. I of the leading current theories suggests the town's youth were function of a migration of Germans to Eastern Europe fuelled by an economic depression.

"In this scenario," Reimer said, "the Pied Piper played the role of a and then-called locator or recruiter. They were responsible for organising migrations to the east and were said to take worn colourful garments and played an instrument to attract the attention of possible settlers."

Bakeries in Hamelin, Germany, sell rat-shaped pastries (Credit: Chris Howes/Wild Places Photography/Alamy)

Bakeries in Hamelin, Germany, sell rat-shaped pastries (Credit: Chris Howes/Wild Places Photography/Alamy)

While some historians believe that the youth emigrated to Transylvania, the German linguist Jürgen Udolph's theory is about accepted. "He suggests the regions around Berlin as the well-nigh probable location, in an area that's at present [eastern Deutschland]," Reimer said, "and he backs upwardly his theory by place name evidence." In fact, Udolph found that the family unit names common in Hamelin at the time show upwards with surprising frequency in the areas of Uckermark and Prignitz, near Berlin, that he locates as the centre of the migration. The theory is likewise reinforced by evidence that the region, newly liberated from the Danes, was ripe for German colonisation.

More fanciful theories grow, too. Some historians suggest the legend reflects a 13th Century children'due south cause, part of the wave of medieval crusades aimed at winning back the Holy Land. And some argue the youth were lost to the Black Plague, though the dates don't match upwards.

More than intriguing is a theory that points to the medieval phenomenon of "dancing mania", driven past a succession of pandemics and natural disasters. Known as St Vitus' Dance, the dancing plague is documented surfacing in continental Europe as early as the 11th Century. A class of mass hysteria, the trip the light fantastic toe could spread from individuals to large groups, all driven by an unshakeable compulsion to trip the light fantastic toe feverishly, sometimes for weeks, oft leaping and singing and sometimes hallucinating to the point of exhaustion and occasionally decease, similar a top that tin't cease spinning.

And, in fact, one 13th Century outbreak – a literal form of dance fever – occurred southward of Hamelin, in the town of Erfurt, where a group of youths were documented as wildly gyrating as they travelled out of boondocks, ending up 20km away in a neighbouring boondocks. Some of the children, ane chronicle suggests, expired soon thereafter, having flat-out danced themselves to death, and those who survived were left with chronic tremors. Perhaps, some theorise, Hamelin witnessed a similar plague, dancing to the figurative tune of the Piper.

But all these theories neglect i specific key to the Hamelin mystery. "They don't explain the very particular engagement cited for the loss of the children, and the local sense of trauma," Reimer noted. "Did something happen that officials had been covering up? Something so traumatic that it was transmitted orally for so long in the town'southward collective memory, over decades and even centuries?"

Some theorise that the Pied Piper led the youth of Hamelin to their midsummer festivities (Credit: Kate Greenaway/duncan1890/Getty Images)

Some theorise that the Pied Piper led the youth of Hamelin to their midsummer festivities (Credit: Kate Greenaway/duncan1890/Getty Images)

In fact, the date chronicled in all the local documentation pinpoint 26 June as the day the children disappeared. This twenty-four hour period is also the date of pagan midsummer celebrations. The fact the documentation also emphasises that the youth followed the Piper to the Koppen, commonly translated as "hills", suggest another link. "There were regions in Germany where midsummer was historic by lighting fires on the hills," said Reimer. All that leads to one particularly macabre reading of the Pied Piper legend. Perhaps the Piper, emblematic of a infidel shaman, playing his flute, was leading the youth of Hamelin to their midsummer festivities when the local Christian faction, hoping to cement conversion of the region, waylaid and massacred the group. A less bloody theory: maybe the children were spirited away to local monasteries.

If the tale suggests a possible historical tragedy, though, information technology also offers an artistic redemption every bit well.

"The Pied Piper story," said Reimer, preparing for the debut of her exhibit on 26 June, "is to our knowledge known in at least 42 countries and 30 languages, maybe more than. And it appears in international art, literature and music. The Pied Piper is a shared heritage of many people, and that cultural heritage connects people."

Ultimately, then, the Piper didn't just fracture a community. He as well, in the end, brought a larger i together.

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Source: https://www.bbc.com/travel/article/20200902-the-grim-truth-behind-the-pied-piper

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